This step tries to assign note names to the piano keys identified in the previous step, so that they can be written on a note staff in the Solution section. The chord built from the tonic is diminished, such as Bdim that includes the notes B, D and F. It is therefore a good choice to use this scale over half-diminished chords. This step shows the descending B-flat locrian mode on the piano, treble clef and bass clef. This step shows the ascending B-flat locrian mode on the piano, treble clef and bass clef. The numbered notes are those that might be used when building this mode. Then list the 7 notes in the mode so far, shown in the next column. To apply this rule, firstly list the white key names starting from the tonic, which are shown the white column below. Since this mode begins with note Bb, it is certain that notes 1 and 13 will be used in this mode. In a later step, if sharp or flat notes are used, the exact accidental names will be chosen. Note 1 is the tonic note - the starting note - Bb, and note 13 is the same note name but one octave higher. After doing the adjustments to all mistmatches, all letters A..G will have been used for this mode, and no rules have been broken. The B Locrian scale consists of seven notes. For all modes, the notes names when descending are just the reverse of the ascending names. The adjustment explanation below needs to be applied to every mismatch m in the above table. This step shows the B-flat scale degrees - Tonic, supertonic, mediant, subdominant, dominant, submediant, etc. It also shows the scale degree chart for all 8 notes. For each of the 7 notes, look across and try to find the white note name in the mode note name. © 2020 Copyright Veler Ltd, All Rights Reserved. The B-flat locrian mode starts on note B-flat. The tonic note (shown as *) is the starting point and is always the 1st note in the mode. This step shows the white and black note names on a piano keyboard so that the note names are familiar for later steps, and to show that the note names start repeating themselves after 12 notes. It contains exactly the same notes, but starts on another note. The adjustments done in this step do not change the pitch / sound of the note, only the name of the note. Scales you can use in the real world, created by a human guitarist. Of course, even though the note is named Cb, when it comes to playing the note on an instrument, the real note B is really played. The audio files below play every note shown on the piano above, so middle C (marked with an orange line at the bottom) is the 2nd note heard. The modes that have a subtonic as the 7th note are dorian mode, phrygian mode, mixolydian mode, aeolian mode and the locrian mode. The match fails when trying to find a C -type of mode note, because either this type of note does not exist in this mode, or it exists but is in the wrong position number / table row for this match. B Locrian Mode. column. The B-flat locrian mode re-uses this mode counting pattern, but starts from note Bb instead. In their simplest / untransposed form, modes do not contain any sharp or flat notes. These can be described as steps on the guitar fingerboard according to the following formula: half, whole, whole, half, whole, whole, whole from the first note to the same in the next octave. Every white or black key could have a flat(b) or sharp(#) accidental name, depending on how that note is used. To count up a Half-tone (semitone), count up from the last note up by one physical piano key, either white or black. One important thing to remember about the Locrian mode is how rare it is. For a quick summary of this topic, have a look at Mode. If the natural white note can be found in the mode note, the mode note is written in the Match? The Locrian mode is either a musical mode or simply a diatonic scale. The Lesson steps then explain how to identify the mode note interval positions, choose note names and scale degree names. But music theory rules allow the name of any note to be sharpened or flattened, even white note names, so since a C-type of note name is needed, the real mode note B will be renamed to Cb. These note names are shown below on the treble clef followed by the bass clef. In this mode, the 7th note is called the subtonic, and it has a whole tone (two semi-tones, two notes on the piano keyboard) between the 7th and 8th notes. In C Major, the Locrian mode starts on the note B, and because of this it is often referred to as the B Locrian mode. Its ascending form consists of the key note, a half step, two whole steps, a further half step, and three more whole steps. This step shows the ascending B-flat locrian mode on the piano, treble clef and bass clef. The 8th note - the octave note, will have the same name as the first note, the tonic note. This means that a B Locrian scale is B, C D, E, F, G, A. The white keys are named using the alphabetic letters A, B, C, D, E, F, and G, which is a pattern that repeats up the piano keyboard. The Locrian Mode is one of the seven modes. G-flat). The rule ensures that every position of a staff is used once and once only - whether that position be a note in a space, or a note on a line. This is needed to ensure that when it comes to writing the mode notes on a musical staff (eg. Applying the rule below ensures that when accidental adjustment symbols are added next to staff notes as part of composing music based on that mode, these accidentals will indicate that the adjusted note is not in that mode. Note that sometimes it is necessary to adjust the note name two semitones / half-tones forward or back, which will result in an adjusted name containing a double-sharp or double-flat. a treble or bass clef), there is no possibility of having 2 G-type notes, for example, with one of the notes needing an accidental next to it on the staff (a sharp, flat or natural symbol). The B Locrian is a mode of the C Major Scale. Middle C (midi note 60) is shown with an orange line under the 2nd note on the piano diagram. The 1st note of the B-flat locrian mode is, The 2nd note of the B-flat locrian mode is, The 3rd note of the B-flat locrian mode is, The 4th note of the B-flat locrian mode is, The 5th note of the B-flat locrian mode is, The 6th note of the B-flat locrian mode is, The 7th note of the B-flat locrian mode is, The 8th note of the B-flat locrian mode is. The 7 unique notes in a mode need to be named such that each letter from A to G is used once only - and so each note name is either a natural white name(A..G) , a sharp(eg. The locrian mode uses the H-W-W-H-W-W-W note counting rule to identify the note positions of 7 natural white notes starting from note B. So assuming octave note 8 has been played in the step above, the notes now descend back to the tonic. Obviously, this is the enharmonic equivalent of C major, so the notes are exactly the same; it’s the way you use the scale that changes things. Non computer generated. As you can see, the B Locrian has the same notes as in C Major, but the tonic starts at B. It also shows the scale degree chart for all 8 notes. The Solution below shows the B-flat locrian mode notes on the piano, treble clef and bass clef. This can be seen by looking at the Mode table showing all mode names with only white / natural notes used. This step shows how to make the note name adjustments so that each note letter A to G is used once only in the mode. This step shows the notes when descending the B-flat locrian mode, going from the highest note sound back to the starting note. This step applies the B-flat locrian mode note positions to so that the correct piano keys and note pitches can be identified. One or more note in this mode has a sharp or flat, which means that this mode has been transposed to another key. 1st note is always tonic, 2nd is supertonic etc.) , but obviously the note names will be different for each mode / key combination. As you can see in the table above, the Locrian mode is the final mode, starting on the seventh note of the major scale. column), whose note names will need to be adjusted in the next step. The first mismatch is used as an example. For this mode, there are 2 mismatches (Shown as m in the Match? F-sharp) or a flat(eg. Middle C (midi note 60) is shown with an orange line under the 2nd note on the piano diagram. Scale degree names 1,2,3,4,5,6, and 8 below are always the same for all modes (ie. The Locrian mode is, in its purest form, the white notes from B-B. On the white piano keys, it is the scale that starts with B. The B-flat locrian mode has 7 flats. Here is a picture of the B Locrian scale. Free Guitar Scale Charts And Fingering Diagrams. This step shows an octave of notes in the B-flat locrian mode to identify the start and end notes of the mode. To count up a Whole tone, count up by two physical piano keys, either white or black. In contrast, for example, the lydian mode has only one semitone / half-tone separating the 7th and 8th notes, and in this case the Seventh note is called the leading note or leading tone, as the 7th note feels like it wants to resolve and finish at the octave note, when all mode notes are played in sequence.
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